Body As Input
Gesture is treated not as direct expression, but as unstable data entering a technological system.
My research examines how body, sound, and image are captured, compressed, and reorganized within technological systems.
I understand art not as direct expression, but as a process of convergence: unstable gestures, desires, and sensory traces enter a system, where they are translated into sound, image, and form.
In my work, sound often appears as the result of convergence, while image remains closer to an unfinished state—revealing the noise, error, and instability that optimization usually hides.
Gesture is treated not as direct expression, but as unstable data entering a technological system.
The system processes difference, error, and desire, compressing them into relations that can be sensed as form.
What appears as form is not a final beauty, but a temporary convergence where instability briefly becomes legible.